As the title suggests, this is all on the A string (except for the double bass). It uses a single finger pattern (0 1 23 for violin/viola and 0 1 34 for cello. The bass uses 0 1 4 and the open D-string). Rests allow for retakes and variety comes from a few semiquavers and one syncopated rhythm that can easily be learned by rote or using work patterns.
Great for using the whole bow, and minims and crotchets. Rests, dynamics and accents add interest. Loved by audiences! Only published for violin and cello but works equally well on viola and bass.
This mixed ability arrangement, in the form of a Concerto Grosso, needs good listening and ensemble. The voices imitate and answer each other and knowing where the important voice lies is crucial. It is excellent for developing playing in the upper half of the bow. The first part goes into 4th position and all the quartet parts have running passages. The main four parts, each with solo moments, are grades 6-8 while there are two (optional) easier parts around grades 2-4.
A good piece for string crossing. It can be played getting faster at the start of each new section.
All the pieces in Technitunes were written with multi-level and multi-instrument group teaching in mind. For violin, viola and cello the top part is all in first position. On the double bass, shifting is required and brings the top part to Grade 3 level. The lower part is in first position for all instruments, though violins will need a high 3rd finger and cellos will need a forward extension.
German Dance provides an accessible introduction to double stops and opportunities to produce a good spiccato bow stroke. For all instruments, except double bass, both parts are all in first position. For the double bass, the top part has a range of shifts to 2nd, 3rd and 4th positions while the lower part remains in 1st position.
