Beautiful piece that works really well on two cellos. Great for tenor clef work and rhythm (which looks much harder than it is). Also good for ensemble work, tonal control, period style and ornamentation. The sonata was originally written for two violins and keyboard.
This arrangement is for 4 solo violas accompanied by an orchestra of violas, in four parts. The solo parts are grades 6-8 while the ‘orchestral’ parts are grades 4-6. Some of the solo parts go up to 5th position. Players need good listening skills and know when to play down so that the solo parts can be heard. There is lots of trill practice and any performance will benefit from clean articulation.
This suite is in three movements, Chaconne, Intermezzo and March. It is an arrangement of Holst’s first suite for military band. On one occasion the first part goes up to 8th position and there is quite a bit of 5th position. Running passages get passed between the parts, there are semiquaver passages involving string crossing, double stops and many contrasting articulations to watch our for.
These dances contain various tempo changes and some unusual harmonies. The tunes appears in all the parts. The dances require some good smooth string crossing. The first part has parts in 4th to 7th position. The other parts are easier. Works well as a quartet and also with a viola orchestra.
This mixed ability arrangement, in the form of a Concerto Grosso, needs good listening and ensemble. The voices imitate and answer each other and knowing where the important voice lies is crucial. It is excellent for developing playing in the upper half of the bow. The first part goes into 4th position and all the quartet parts have running passages. The main four parts, each with solo moments, are grades 6-8 while there are two (optional) easier parts around grades 2-4.
