The first movement – Allegro ma non troppo – of this quartet contains one of the most haunting and memorable of string melodies. Whilst rhythmically cohesive, a good inner pulse allowing subdivisions into 2, 3 and 4 is critical.
The violin only goes up to top F and the cello never departs from the bass clef. However, there are many individual passing chromatic slurred triplets that would benefit from careful preparation.
A great dynamic range is exploited and an equal strength of players throughout the group is essential.
Perfect piece for a strong viola player!
8 minutes without repeat
