As the title suggests, this is all on the A string (except for the double bass). It uses a single finger pattern (0 1 23 for violin/viola and 0 1 34 for cello. The bass uses 0 1 4 and the open D-string). Rests allow for retakes and variety comes from a few semiquavers and one syncopated rhythm that can easily be learned by rote or using work patterns.
Great for using the whole bow, and minims and crotchets. Rests, dynamics and accents add interest. Loved by audiences! Only published for violin and cello but works equally well on viola and bass.
Alla Polacca is in ternary form. In the outer sections the Polka feel comes from the piano while the bass player needs good co-ordination to navigate the many semiquavers. The middle section benefits from a good cantabile sound.
Originally a study, this makes a very good concert piece.
This arrangement requires lively articulation, some quick bow retakes, dynamic contrasts and all positions from half to fourth.
This well-known tune is a popular exam choice.
A lively, engaging piece in contemporary style. Rhythmically straightforward apart from one dotted rhythm, it features both hooked bows and quick retakes. It is in first position throughout, using both basic finger patterns.
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