As the title suggests, this is all on the A string (except for the double bass). It uses a single finger pattern (0 1 23 for violin/viola and 0 1 34 for cello. The bass uses 0 1 4 and the open D-string). Rests allow for retakes and variety comes from a few semiquavers and one syncopated rhythm that can easily be learned by rote or using work patterns.
Great for using the whole bow, and minims and crotchets. Rests, dynamics and accents add interest. Loved by audiences! Only published for violin and cello but works equally well on viola and bass.
An up beat lively piece in G major and all in 1st position. Some rhythmic challenges but satisfying to play. Good counting is required in the rests. The sections repeat with slight variations so it is not as long as it looks.
The syncopation in Jazz Rock provides a rhythmic challenge. The whole piece can be played in half and second positions, but it is probably not a piece to play when first learning these positions.
Osborne suggests the pieces can be played pizzicato or arco – even a mixture of both, and that a drum beat can be added. Younger players may have difficulty producing a good pizzicato sound if the left hand is not sufficiently strong to hold the string down. In such cases a judicious mixture of arco and pizzicato works wonders!
Jolly concert piece with words to help with the rhythm and opportunities to show dynamics.
All in first position using a basic finger pattern of just the 1st and 3rd fingers. Some glissandi and the half-string octave D harmonic are used.
From the book, Wizard’s Potion. Other pieces in the book go up to Grade 2.
Easy piano part.
